Course Description

Course Description

Can a highway billboard be counted as literature? Is Bob Dylan a sellout? Who is Lady Gaga? Can Google be used as a poetic constraint? How do internet phenomena like Youtube and Facebook shape our attitudes toward wisdom, knowledge, and information? Are we morally implicated just by watching? Is constructing our own identities a dangerous thing, and is deconstruction possible?

In this course we will try and answer these questions.

We will discuss relatively nascent literary forms, such as children’s literature, graphic novels, genre fiction, fan fiction, and blogging; we will explore the art of adaptation, and talk about the ways in which the narrative techniques used in film and television have shaped our formal understanding of image, character, metaphor, and plot; we will question the mythologizing power of nostalgia and ask whether speculative fiction (science fiction and fantasy) can offer us a better understanding of our own world.

Come prepared to both read and write generously. This course will be graded on enthusiasm, regular attendance, and a final portfolio of polished work.

Required Reading List:

Alan Moore, From Hell

Philip Pullman, The Golden Compass

Additional reading materials will be provided in photocopy form.

Course Syllabus


CREATIVE WRITING AND POPULAR CULTURE
08C:115:SCA / 145:115:SCA


Instructor:             Ellie Catton           

Blog site:            http://cwpopculture.blogspot.com/


“One day, men will look back and say I gave birth to the twentieth century.”
- JACK THE RIPPER

“Human beings can’t see anything without wanting to destroy it, Lyra.”
- LORD ASRIEL


ABOUT THIS CLASS
A successful workshop is a space in which everybody is trusted, respected, and heard. We are not here to pass judgment on each others’ art. We are here to investigate it, to unpack it, to take it apart and find out how it works. Our goal is never to reach a verdict (“good” or “bad”, “I liked it” or “I didn’t like it”), but to listen well, read generously, and try to understand every text on its own terms.

Please only submit work that will not make you or anybody else in the class feel uncomfortable if it is discussed critically in class. Work that deals in any way with themes of sexual abuse or sexual violence will not be discussed.

COURSE GOALS / OBJECTIVES
We will become better writers, by inspiration and example; we will become better people; and we will question what it means to be an artist in the world today.

ATTENDANCE POLICY
You may not be absent from more than two classes and expect to pass this course. If exceptional circumstances force your non-attendance, you must to notify the instructor by email at least two hours prior to the start of class.

PARTICIPATION
You are expected to do the required reading each week. Come to class with questions, concerns, impressions, and doubts. Participating well doesn’t necessarily mean talking the most– it also means listening to, acknowledging, and respecting your fellow students.

MATERIALS & REQUIRED TEXTS
Please read The Golden Compass (Philip Pullman) and From Hell (Alan Moore). Additional materials will be provided in photocopy form.
GRADING
Your overall grade for the course will be split in this way:

Attendance                                                                                             (15%)
Participation                                                                                           (15%)
Weekly blog presence                                                                           (15%)
Take-home exercises (each worth 3%)                                               (30%)
Workshop piece                                                                                     (15%)
Post-workshop conference                                                                   (10%)

BLOG COMMUNITY
Each week I will be posting articles, stories, poems, youtube clips, TED talks, questions, and remarks on to the blog at http://cwpopculture.blogspot.com/. You will each be required to leave comments on this blog at least once a week (more frequently is preferable), with a view toward creating an online community that reflects and enlarges upon the live community we create in class. We will discuss the growth and personality of the site as the semester progresses.

OFFICE HOURS AND CONFERENCES
Following your workshop, I will collect the responses written by your peers, read them, and then return them to you in person at a thirty-minute post-workshop conference, conducted either at Tspoons (corner Market and Linn) or at the Dey House (N Clinton St).

I am also happy to arrange weekly drop-in office hours.

WORKSHOP STANDARD
The work you hand in for peer workshop must be typed, proofread, and finished. Sketches, summaries and ellipses are not permitted.

At the post-workshop conference I will give your piece a score out of 15. You will then have the opportunity to return to the work and revise it according to our discussion. You may continue to hand in the piece, in its various drafts and incarnations, until the semester’s end. I will grade it anew each time. NB: Your score out of 15 will only ever increase with each revision.

WORKSHOP PROCEDURE
You will need to hand in your work to be workshopped at least one week prior to the date of your workshop to ensure that I have time to photocopy it and distribute to your classmates. Please either email the work to me by attachment or leave a hardcopy in my mailbox in the Dey House front office. I must receive the work by 12p.m. on Monday (the Monday one week before your scheduled workshop) at the very latest.

CLASS SCHEDULE

23 Aug – Introduction.

            Take-home exercise 1: First Person

30 Aug – The Individual.

            Reading: photocopy packet
            Take-home exercise 2: We Didn’t Start the Fire

6 Sept – Contemporary Culture (The Dead Zone).

            Reading: photocopy packet
            Take-home exercise 3: Smug Metaphors

13 Sept – Lights & Camera.
           
            Reading: photocopy packet
            Take-home exercise 4: Sight Unseen

20 Sept – Information / Wisdom.

            Reading: photocopy packet
            Take-home exercise 5: Advertisement & Review

27 Sept – The Audience and the Consumer.
            Trial Workshop (blind)

            Reading: The Golden Compass
            Take-home exercise 6: Android Chekhov

4 October – Genre Lines.
Workshop 1: Lauren 
            Workshop 2: Mitchell

            Reading: The Golden Compass
            Take-home exercise 7: The New Myth

11 October – The Epic, the Mythic, and the Awesome.
Workshop 3: Michelle
            Workshop 4: Benjamin 

            Reading: The Golden Compass
Take-home exercise 8: Erasure

18 OctoberContemporary Poetry. (instructor: Steven Toussaint)

            Reading: poetry packet
Take-home exercise 9: I Google Myself

25 October – Contemporary Poetry. (instructor: Steven Toussaint)

            Reading: poetry packet
            Take-home exercise 10: Pilot Episode

1 Nov – What We Learned From HBO.
            Workshop 5: A. Maria
            Workshop 6: Brandon
            Workshop 7: Casey

            Reading: From Hell

8 Nov – “Based On The Book By…”
            Workshop 8: Alyssa 
Workshop 9: Christine 
            Workshop 10: Jared
           
Reading: From Hell

15 Nov – Shock and Censorship.
            Workshop 11: Sydney 
Workshop 12: Michael 
            Workshop 13: Ellen 
            Workshop 14: Ashley

            Reading: From Hell

22 Nov – THANKSGIVING BREAK – NO CLASS

29 Nov – The Individual, Redux.
            Workshop 15: Joel 
            Workshop 16: Anna 
            Workshop 17: Amanda 

            Last chance to make up assignment credits.

6 Dec – Final Class
            Grades returned.